The thesis is.... the problem of what this is.

"Why" is the most subversive question. Don’t answer it.

Is the 'construction' of a print, something I want to document/include in the thesis?
Do I include contact sheets in the work? Are they my ‘sketches’ or diagrams?
Do I include copies of historical photographs or just my own?
What is the story I am trying to tell?
What does it have to do with architecture?
Where can I show my work? and can I do it in mid-July?
- Talk to Jeff L. about using one of the empty shops along Main Street.
Write about your obsessions....
What about the town fascinates me?
STARE at my photographs and find inspiration/stories within them
What does pattern recognition have to do with my photos/groups of photos?
- Rhetorical structure of photos
- Tarkovsky
- The group is an immediate lesson in how to see one image “This is the quintessential photograph of this one”
What happens with the individual photos?
What am I getting out of this?

...from my notes...

During the  last meeting...

What tense to write in?

What perspective to write from?

When do you make transitions?

- when you lose the train of thought

- no explanation needed for making transition

"Good writing is the mastery of digression," (Don).